Despite cultural and historical claims regarding the omniscience and omnipotence of the Christian deity (or, indeed, with regard to any patriarchal deity), the force of such claims did not lead to a veneration of knowledge as a direct link to the sacred. Rather, the claims concerning the attributes of God the Father placed a heavy weight of fear upon the population that was gripped by the fantasy. As Nietzsche teaches us in Genealogy of Morals, a feeling of indebtedness to a power greater than oneself produces guilt. From Freud's teachings, we can likewise deduce that introjection of the image of an all-powerful father figure (God) would produce a superego of proportions that would go beyond the kind of superego generated by the putatively normal resolution of the oedipus complex in relation to the laws laid down by one's human father. The overall effect of succumbing to belief in God the Father, is thus a superego that binds the universe shut in such a way that obedience to "law" rather than search for knowledge becomes the guiding principle of life. This social and psychological limitation to stay within the boundaries of "the law of the father" and not to question it, or go outside of it (in order to explore further) was what bound the universe into a limited, secure, and theoretically already-known sphere of human relations -- a bubble of meaningfulness securely pinned-closed by God-the-Father clasping it all together, circumscribing the upper limits of the mass fantasy.
What would it be like if the fantasy of that-which-is sacred came to Earth -- not as transcendence (which is mere suggestiveness of an idea), but as integral, experienced reality? The loss of a father at an early age might trigger such an explosion of knowledge of the sacred, as "God" becomes immanence again, and all things take on an animistic hue (imbued of the sacred). Then the Universe would continue to expand in an unbound way, its meanings and purposes stretching out to limits that God-the-Father can no longer put a lid on. The sense of being safely enconsced within a limited, but already-known Universe would be all gone. Death would take a step closer to the observing and questioning subject -- whose existence is no longer metaphysically assured. (One would have to get to know death intimately, and to live along with it, as part of life.) Yet life itself, and eros and the sacred would also come crowding in. In all, the fantasy that concerns the meaning of life would become more complex.
This is, I'd suggest the nature of the shaman's world -- and it is also Marechera's:
My father’s mysterious death when I was eleven taught me – like nothing would ever have done –that everything, including people, is unreal. That, like Carlos Casteneda’s Don Juan, I had to weave my own descriptions of reality into the available fantasy we call the world. I describe and live my descriptions. This, in African lore, is akin to witchcraft. My people could never again see me as anything but “strange”. It hurt, for the strangeness was not of my own making; I was desperately cynical for the descriptions were the only wierd things I cared to name “truth”. They were the heart of my writing and I did not want to explain my descriptions because they had become my soul, fluid and flowing with the phantom universe in which our planet is but a speck among gigantic galaxies. [ p 123 Mindblast].
1 comment:
The death of my father had a similar, disquieting effect. I was six going on seven then, THUMP!!....dad was dead. Reality, after that, took on a different, more contingent flavour and I had to become, as the saying goes, 'the man of the house', which led me down various paths of self-reliance and away from dogmatic parameters.
Trying to build a new reality, one based on the contingencies and possibilities which lie dormant within concrete reality, can describe the lives of those artists whose project is in part their own therapy. If, on top of that, they cultivate meaning in their lives through creative engagement, they can help heal themselves and their fellows human beings. Marechera was such an artist.
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